This is the second article in a two-part series on MIDI and Songwriting. Going beyond the basics of MIDI and how it works, this piece speaks to the songwriter / composer and what kind of role MIDI plays in the creative process. Some of the topics covered here are choosing sounds, time management, and fighting the urge to be a perfectionist.

Today’s computer recording technology provides songwriters with the tools necessary to achieve beautifully textured arrangements. One major tool in the songwriter-producer’s arsenal is MIDI. While it provides loads of instrumentation options and editing capabilities, MIDI can also be a perfectionist’s nightmare, causing endless tweaking and draining the creative process.

In part one of this two-part series on MIDI and Songwriting, I’ll cover the basics of MIDI, how it works, and what you need to know. I’ll also show you how to set up for MIDI recording using Reason and Pro Tools.

The art of producing songs in the studio involves a tremendous amount of patience and focus. Songwriters should strive to achieve a recording that will be appreciated for many years to come. Crafting and perfecting your production process is different for everyone. It’s important to be aware of what works and what doesn’t. Learn from past experience and always strive to make progress creatively, technically, and professionally.

Today, I want to discuss the importance of using scratch tracks. Scratch tracks are recorded parts of a song that have not been perfected yet. They are meant to be rough takes, not to be used in the final mix. In this article I’ll talk about how using scratch tracks are crucial part of a successful production process. I’ll also go over how to use playlists to easily record multiple takes in Pro Tools.

Holiday shopping season is upon us and with the state of the economy, this year’s theme is save cash wherever you can. That means getting more bang for your buck. For songwriters and producers who run a home studio, the wish list of hot gear items seems to last all year long. While many of you may be dreaming of a shiny new pro tools rig, a smooth condenser vocal mic, or a trusted name-brand piece of vintage outboard gear, I’m here to tell you that this is the year to think on a smaller scale. But that’s OK, because there are several key pieces that are both essential to any recording studio and also cost under $100.